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Tampilkan postingan dengan label nemesis. Tampilkan semua postingan
Tampilkan postingan dengan label nemesis. Tampilkan semua postingan

Nemesis 2: Nebula (1995)

REVIEW BY: Jeffrey Long


COMPANY: Imperial Entertainment

RUNTIME: 87 mins

FORMAT: VHS

PLOT: 76 years after the first movie, cyborgs have taken over the world and enslaved the human race. The human freedom fighters' scientists create a genetically-engineered superhuman as a secret weapon against the cyborgs, but during an ambush they must instead send her back in time to hide her, but she's soon followed by a cyborg bounty hunter.

REVIEW: I know everyone warned me to stay away from Nemesis 2: Nebula and the other Nemesis sequels, but I wanted to check them out for myself anyway. 1, Bad movies are my forte' so if you tell me to stay way from something because it's a bad movie – that just sparks my interest even more. 2, the original director/writer did all four Nemesis movies so that has me interested. 3, I'm a completest. When I sit down to watch a movie, no matter how bad the others are, if there are more in the series I have to watch them.

And to be honest? I didn't find this nearly as bad as everyone makes it out to be. Sure, when compared to the first movie, it's not very good, but as a stand alone movie I found it quite entertaining and really, it has next to nothing to do with the first movie anyway beyond using is as a bit of background information on the state of the future, so it really has no need to be compared with it.


Following the events of the first movie, a full-on war started between cyborgs and humans in which the humans lost. After decades of slavery, scientists working with the human freedom fighters finally manage to create a superhuman – a female baby that will grow up to be stronger and faster then the average human, and have quick reflexes to fight back against the cyborgs with. However, shortly after being born, the labs are ambushed by a cyborg strike team and one human manages to escape with the baby (the baby is named Alex in memory of the 'human hero' from the start of the war; a blink-and-you'll-miss-it reference to the main character of the first movie). To escape, she steals a cyborg time traveling vehicle and ends up in East Africa in the 1980's - right in the middle of a civil war. When the female adult is killed by a group of rebels, the baby is taken in by a local tribe of Natives and is raised as one of their own. Cut forward to her early 20's and the cyborgs from the future finally managed to track her location in time and sends back a bounty hunter named Nebula, which heavily resembles a Predator rip-off, to track her down in the East African desert and kill her.

The Alex in this movie is played by a rather tough-looking and quite large female bodybuilder...which actually makes sense. After all, mankind's great weapon against the machines – a genetically-engineered superhuman - isn't going to exactly be small, thin as a stick, and meek. This isn't the sleek-and-sexy-looking Resident Evil or Underworld franchises, this is the low-budget dark and gritty Nemesis franchise. And since they hired her based off her size and stature...well, her acting (or lack there-of. Seriously, she hardly has any lines in the entire movie) leaves a bit to be desired. But she wasn't hired for her acting ability and her character wasn't genetically-engineered for a good conversation, so it makes sense. Both her and her character are in the movie for purely one reason: to kick cyborg ass. And in that regard, she does it perfectly.


Other then her, the only other main character really is the silent-but-deadly Bounty Hunter creature. Despite being called a cyborg, it comes across much more as some kind of flesh-and-blood creature or alien then it does a mechanical robot, and it talks even less then Alex does. That is to say, apart from some growls, snarls, and roars, there are only two scenes in the entire movie where it actually speaks – and oddly enough to great comedic effect (whether on-purpose or not). When it does speak, it's with a fluent British accent, totally going against the animalistic beast-like nature it was portrayed with during the entire movie. It also seemed to shop at the same Army Surplus store as the Predators from the Predator movies; it can bend light to make itself look near-invisible or distort your vision when you look at it or something like that (never really made clear what that effect was all about), it can record and playback video and audio, it can change the style of view it has, and it has a shoulder cannon that fires blue energy blasts. With it being a bounty hunter, it's also an expert hunter and tracker. But in it's very short defense, at least it's design was a bit original and it didn't really look much like a Predator. Although we hardly get to see it beyond a quick-moving blue blur for most of the movie, until a few good shots of it at the very end during the climatic fight.

Where-in the first movie we got many different kinds of scenery; post-apocalyptic wasteland, extensive city, small town, Japanese jungle – This one, except the first five minutes which takes place in a post-apocalyptic Cyborg-controlled city (and is made up almost entirely of re-used stock footage from the first movie), is all set pretty much in one location – the East African desert. It makes the movie feel a lot more small-scale then it's predecessor. Still, I actually liked the desert landscape, if for nothing more then it didn't give Alex many places to run and hide, thus leading to more kick-ass action scenes. The movie didn't have much of a plot other then Alex trying to escape the bounty hunter, coming across a group of people (depending on the group, some try to help her while others try to capture her for their own reasons), said group of people get killed, Alex tries to escape the Bounty Hunter again, repeat. When a movie is like that, the action scenes are really all it has going for it and thankfully there are plenty, though none of them reach the level of awesome that the action scenes from the first movie were at, but they're still pretty good in their own low-budget right.


There are some aspects that make no sense at all though – like if the Cyborgs have time travel devices, and they finally managed to track down the point in time that Alex was sent back to, then why send the Nebula bounty hunter to 20 years later, instead of to the point where the baby initially arrived and thus was still a baby instead of a superhuman cyborg-killing adult? But in movies such as these, you're not really supposed to think too much about the gaping plotholes, I guess.

My one real big issue however, apart from the above-mentioned inconsistencies when it comes to the Nebula bounty hunter, is that the movie ends without any real ending. Alex kills the bounty hunter and then drives off in a jeep. The End. She's still stuck in the past while her present/our future burns under the control of the cyborg menace, and they will no doubt continue to send cyborg troops back in time to kill her when this one fails to return. I hear that Nemesis 3: Time Lapse is made entirely of scrapped footage from this movie – they had filmed way too much and had to cut much of it (including many characters and entire plots) in order to get this one down to a reasonable runtime and so they used all that cut footage to make another movie. I'm not sure how well that will play out on-screen, but I'm looking forward to finding out.

7/10 rooms in the Psych Ward


Nemesis (1992)

REVIEW BY: Jeffrey Long


COMPANY: Imperial Entertainment

RUNTIME: 95 mins

FORMAT: VHS

PLOT: In the future, where the average person now has various cybernetic enhancements, one cop questions his humanity and leaves the Force in pursuit of a major conspiracy that could change the world forever.

REVIEW: After recently watching Ghost in the Shell 2.0 and Blade Runner, as well as the Mystery Science Theater version of the mucho-low budget movie Future War, I was still in the mood to watch more movies of that kind, and a person on Twitter recommended that I watch and review Nemesis – a low budget 1992 sci-fi/action flick directed by Albert Pyun, who some of you may know as the director and writer of many low budget movies of various genres throughout the 80's and 90's, which include but is not limited to Alien from L.A., Dollman, Cyborg, Kickboxer 2 and 4, and The Sword and the Sorcerer.

I searched and searched but couldn't find the DVD of the movie for a reasonable price so settled instead for buying a super-cheap VHS copy and dusting off my old VCR to watch it. I forgot how awesomely oldskool VHS tapes are; back when you had to watch 10 minutes+ of trailers at the beginning and could only skip them by fast forwarding, back when lines would come up on the screen and you either had to fix the tracking or just deal with it due to damage on the tape. I'm thinking I should check out some more of these older low budget flicks on VHS instead of DVD or BluRay, cause if anything I think it added to the overall grittiness of the movie.

As for the movie itself – while not perfect, it was pretty darn enjoyable. It was way ahead of it's time, dealing with aspects that wouldn't be made popular until Ghost in the Shell and the The Matrix came along. Alex Rain is the name of the main character here and he's a human detective with quite a large number of cybernetic enhancements, but while on the trail of some cyber hackers led by his ex-partner he starts to uncover a much larger conspiracy that involves people in power being secretly killed and replaced by cyborg duplicates in a move by cyborgs to take over the world and turn humans into their slaves. Along the way, he constantly has to keep getting upgraded with more mechanical parts due to the state he's left in after some of the action scenes don't go his way. These tuneups have become so commonplace that he starts to worry about just how human he is or isn't anymore. At what point does he stop being human and starts being just a machine?


The movie starts off on a 10-minute long action scene in the rubble of Los Angeles that doesn't go even 5 seconds without gunfire or explosions happening, and that kind of fast pace doesn't let up much until the credits roll at the end. The entire thing is filled with non-stop well-choreographed and over-the-top action scenes, and intense elaborate shoot-outs (some of which have been outright copied by future movies such as Underworld), that culminates in a massive action sequence in the jungle that would make even Rambo and the Predators jealous for missing out on. To make those sequences even better, everything is done using practical effects and thus these action scenes were, to me anyway, more interesting to watch then almost any big budget Hollywood CGI-generated monstrosity from this day in age. Only detractor is one scene towards the end uses some really bad stop-motion for a fight scene between Alex Rain and a T-800 ripoff in the cargo area, and on the outside of, a futuristic jet as it zooms through the sky.

When one of those drooling-good action scenes isn't happening, there is still plenty going on to keep you interested such as nudity and robotic cyborg parts being displayed in gory fashion. It also takes the time between action scenes to set this world up and give us most of our information in regards to the way the world is and who all the major players of the movie are. However, it certainly doesn't help that pretty much all of the actors are really bad and the lead actor has such a thick Jean-Claude Van-Damme style accent that it's hard to pick out what he's saying a lot of the time, and when you can understand it, it's very stilted and broken up. However, the most important lines he will say – some classic hilarious one-liners – are crystal clear for all to enjoy.


In this future world, most of the world seems to lay in ruins. Despite the fact that it's established early on that people still live in Los Angeles and places such as hotels are still in business (since the first action scene starts off in one), most exterior shots show the city in ruins, with crumbling buildings and massive debris everywhere, and a desolate desert wasteland closing in on all sides. Adding to the atmosphere of an almost post-apocalyptic world is the fact that every exterior shot throughout the first half of the movie has a reddish tint added to it, giving the effect that the sun is dying. At least until Alex Rain travels to Japan, and then for some reason the sun and landscape are normal there, so maybe it's only America that's on the brink of being wiped out. That's something that's never really made clear.

Musical scores could potentially make or break a movie and luckily here it really fits. It's kind of an almost Native American style music mixed with detective noir kind of music and oddly enough, that fits really well with a futuristic cyberpunk flick, though you wouldn't believe it to hear someone say so. Then once Alex Rain goes to Japan, the music changes more to traditional Japanese-style music. Right from the opening moments, the musical score really stands out and sets the mood perfectly, and never once feels out of place during any scene of the movie. More often then not, it's the stand-out aspect in just about every scene. I find that low budget movies tend to have the best, most over-looked scores and it sucks that they almost never get officially released like bigger-budget theatrical movie scores do.


There's not really much more I can say about it. That's why I hate reviewing action movies, because I'm not able to articulate my thoughts as well as I can when there's some big monster stomping around or an alien invasion force going on that I can focus large chunks of my review on. However I told some people that I'd review this one, so I kind of had to follow through. I've been told that there are three sequels to this movie, but to stay away because none of them have anything at all to actually do with this movie and all are quite bad. However, being the sucker for bad movies that I am, and the fact that they're all written and directed by the same guy as this movie, I think I won't listen and will go track them down and watch them anyway, and since I've reviewed this movie, you can expect eventual reviews of the sequels as well.

9/10 rooms in the Psych Ward


 
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